Welcome to Eureka Street
Looking for thought provoking articles?Subscribe to Eureka Street and join the conversation.
Passwords must be at least 8 characters, contain upper and lower case letters, and a numeric value.
Eureka Street uses the Stripe payment gateway to process payments. The terms and conditions upon which Stripe processes payments and their privacy policy are available here.
Please note: The 40-day free-trial subscription is a limited time offer and expires 31/3/24. Subscribers will have 40 days of free access to Eureka Street content from the date they subscribe. You can cancel your subscription within that 40-day period without charge. After the 40-day free trial subscription period is over, you will be debited the $90 annual subscription amount. Our terms and conditions of membership still apply.
There are more than 200 results, only the first 200 are displayed here.
An Arabunna man, Uncle Kevin Buzzacott devoted himself to the protection of that delicate, glorious country of north eastern South Australia with its Great Artesian Basin’s ancient waters threatened by the succession of powerful mining companies operating Roxby’s Olympic Dam.
For the men in these conflicts, there was an expectation they would resume the lives they had left behind as if nothing had happened, as if they had been on an extended business trip. It calls to mind a phrase that has become common in recent years: unexamined trauma.
Nam Le is one of the strangest writers in the history of Australian literature and is also one of the most incandescently brilliant — which is very weird if you bear in mind that his primary claim to legendary status is a book of short fiction published in 2008. With 36 Ways of Writing a Vietnamese Poem, Le returns with a new work that encapsulates the brilliance and complexity that fans and critics have come to expect.
Sam Kerr’s alleged comment to a UK police officer has divided opinion as to whether it constitutes racism. The central question involves whether a structural understanding of racism should supersede a universal, neutral sense of racism of the kind that is enshrined in law.
Two books about a 1942 massacre of Australian nurses were released last year. One is reliable, the other is notable for factual omissions. If we leave something out, are we then guilty of censorship? Alternatively, if our truth-telling offends someone else, what is our justification for so doing?
Generosity is most heartwarming when it is a habit. We see it in people whose first inclination is to give something to a beggar, to stop and listen to a hard luck story, to think first of persons affected by war and economic crises and only secondly to policy, to welcome people into their homes and to go out of their way to help.
By day, Gaza is news and images in the media. During the day, we nod as we see the plausibility of all the arguments. But sometimes at night, we may hear again the voice of lamentation, weeping and great mourning.
Casamari, my destination for the night, was fifteen kilometres more walking. The signs pointed off the road, but I must have missed one. By this time, I had wandered too far to simply retrace my steps. I was lost. To be on this walk is to convince you that Italy is composed entirely of mountains.
Tolstoy once wrote that exile is a long dream of home, but the dreaming does not persist forever, so that you eventually wake to the knowledge that home exists only in your head and in your memory. Welcome home, various people have been saying, but my silent question is Where is it?
Today, the claims of Christianity are no longer common knowledge among a Catholic student cohort that comes from many faith traditions and none, but the Catholic school has a place for them all. Has the classroom become the ecclesial face of the Catholic Church in the 21st Century?
Public hospitals around the country introduced mixed gender rooms during the noughties to get patients to their rooms quicker after being in emergency. It has since become common practise, without significant debate or research.
Even the best forecasting gets it wrong, and every year has its own 'Black Swan' events, characterised by their unpredictability and impact. They remind us that the future is unpredictable, perpetually lurching between prediction and confusion.
1-12 out of 200 results.